*Editing time is usually up to 12 weeks *Final films are delivered online *Drone footage depends on weather, safety and legal restrictions. It cannot always be guarantee *If I am unable to attend due to serious unforeseen circumstances, I will arrange a suitable replacement *All videos remain my copyright, but the couple can use them freely for personal use and sharing with family and friends.

I am chatty when needed. I talk to people during the wedding, and that helps them feel at ease with me and with the camera. By the end of the day, most guests know that my camera and I are not there to intimidate anyone. We are there for the bride and groom. I’m there to encourage people to send a message with a smile, a wave, a nod… without that social interaction, most people would simply walk away from the camera. This way I make sure those little messages are captured, and years from now those same guests are still part of the memory, still there, still present in the film. But don’t worry… there are also times when I stay quiet. The best moments often happen in silence, and I know when not to interrupt them. With me, you get the best of both worlds.

4× Hitched Wedding Awards winner The Wedding Industry Awards – Regional Finalist 2× Bridebook Exceptional Supplier Awards are nice to receive, but the truth is many of them are based on applications, votes, or paid participation, so I don’t put too much weight on them. They were never the reason I started filming weddings, and they’re not what drives me today. What matters to me is making films that couples will still watch years from now. I’m here to create memories, not to collect trophies or boost my ego.

Since I started in 2016, I’ve come a long way in my approach to weddings. What once felt like work, just another job, slowly turned into a passion project, with a deep emotional attachment to every film I make. Back then it was simple filming, a bit chaotic, a dance between shots without much thought behind them. Now it feels more like a symphony of emotions and cinematic moments, carefully put together as one story. I like to think that my work brings people joy, and that what I deliver will be watched not just today, but for years to come, becoming a time capsule for every family I work with. That thought carries weight, and it’s something I never take lightly. I’ve been learning this craft for over a decade now, and I see the results of that journey every time a couple watches their film, sometimes in their tears, and sometimes in mine while I’m editing it. That’s my experience, and that’s my approach.

Nature — the soft sway of the trees, the gentle breeze on your face, sunrays shining through the branches. Love — the touch of a hand, a look across the crowd, the warmth of another body close to yours. Sunset — a quiet, warm light on your face, reminding you that even when the day ends, there is always more to come tomorrow. Snow — majestic, beautiful, soft, ever-changing, pure. Fire — dynamic, alive, unpredictable. One of the few things in the universe that can both create and destroy life. I love natural things. They are the strongest influence on my work, because weddings, just like nature, are never staged the same way twice.

I don’t really have a list of specific venues that I dream of working at. Over the years I’ve learned that the venue itself is only one part of the wedding, and it’s rarely the thing that makes the day special on its own. What matters more to me is the atmosphere, the people, and the kind of experience the couple wants to create. I can imagine the kind of scenery I’d love to film, the type of light I’d love to work with, or the sort of moments I hope will happen, but those things can exist in many different places, not just one particular venue. I’m always happy to work somewhere new, somewhere unusual, or somewhere simple, as long as the couple wants their wedding to feel real, personal, and a little bit different. The best films never come from the venue alone, they come from open-minded couples who want to create something special, wherever the day takes place.

Only three types of moments. Real ones — the ones that happen naturally, without my involvement in any way. Genuine reactions, real conversations, real emotions. These are the moments that cannot be repeated, and the ones that usually mean the most years later. Stylistic ones — the shots where I allow myself a bit of creative freedom. Nothing forced, nothing unnatural, just small guidance to create something beautiful. When the bride and groom look back at those, they remember how they felt, how they looked, who they were at that time. Sometimes those images help people get through difficult moments later in life. Story moments — the moments that build the timeline of the day. The ones that always happen, but always mean something different. Dad seeing the bride for the first time, the first kiss, the confetti, the first dance, the speeches. These are the anchors of the story, the points that hold the whole film together.

That I don’t take the responsibility of being part of your wedding lightly. Every wedding means something to me, no matter how big or small it is. I never arrive with assumptions about how the day will look or how it should feel. I stay open, observant, and ready to adapt to whatever the day brings. I’m hands-on when needed, I help where I can, and I do my best to make your day run a little smoother, not just to film it. And somewhere in between all of that… I make your film too.

There have been quite a few moments like that, but I always think the more comfortable people feel around me on the day, the better the video becomes. When no one shies away from the camera, real moments happen naturally, and those are always the ones that matter most later. Over the years I’ve filmed a bride arriving by helicopter, a groom carrying his shoeless bride through a river, and weddings with Chinese, Jewish, Cypriot and Polish traditions, each one different, each one teaching me something new. I’ve filmed a bride who worked on the set of Game of Thrones, and I’ve filmed in a wedding house that was used as Tommy Shelby’s home in Peaky Blinders. So many memories. Every one of them unique. Not a single one better than another.

There have been so many over the years that it would be impossible to list them all, but here are some of the venues I’ve had the pleasure of working at, and a few that I especially enjoy coming back to: Coton House Farm Cripps Barn at Thorpe Garden Hanbury Wedding Barns (favourite) The Moat House Alrewas Hayes The Ashes (favourite) Foxtail Barns (favourite) Moddershall Oaks Blakelands Country House The Mill Barns (favourite) Shustoke Farm Barns West Midlands Safari Park Pendrell Hall (favourite) Hampton Manor Hyde House Bordesley Park The Marigold Edgbaston Park Hotel The Belfry Moxhull Hall (favourite) Castle Bromwich Hall Hotel Gorcott Hall (favourite) The Barns & Yard Curradine Barns (favourite) Manor Hill House The Wood Norton (favourite) Hagley Hall Every venue has its own character, but I always enjoy returning to places where the atmosphere, the people, and the surroundings create the perfect space for real moments to happen.